The Tracks of my Years
The soundtrack of my life, from rock n' roll to post-rock
The soundtrack of my life, from rock n’ roll to post-rock
This post relates to a 4Sight presentation delivered at an online 4Networking ‘Midweek Music’ meeting on 25 May 2020. Various members who attend this group regularly have given presentations on the music that they love or has influenced them. To tackle a similar theme, I decided to set myself the challenge of coming up with a track for each of the years since I was born in 1957, right up to the present day. And then, to avoid the temptation of including endless David Bowie tracks, each artist chosen could only appear once.
Putting the list together (shown below) was fun, and went through many, many edits and amends, as various themes emerged. Are these my 66 favourite tracks? Well, no, as the limitation of one per year immediately precluded all sorts of tracks from various amazing years such as 1971 and 1977. But what did start to fall in place were five key themes which have all been part of my passion for music right through my life:
- The power of the single
- The impact of Side 1, Track 1
- The joy of live music
- The richness of back catalogues
- Oh, and OK then, David Bowie as a separate category (you’ll see why)
The power of the single
When we grow up, single tracks are our first exposure to popular music, on the radio and elsewhere. And so too, vinyl singles are the first taste of buying and collecting music. And the late ‘50s and early ‘60s were the time when the single was everything. Roughly speaking, before Sgt Pepper in 1967, the single was king, and perhaps then no coincidence that that specific Beatles album was the first LP I bought. Before then, the 7” ruled, and gave us such variety, impact and excitement in 2-4 minutes of compressed invention.
My dad was an avid collector and player of jazz records, and so records (or “reggles” as I called them at a very young age) were everywhere and I soon decided I wanted them. Precociously I acquired the Telstar single and the Beatles Twist and Shout EP by the time I was six, and then various others over the years. Clearly, the tracks featured from 1957-1962 have been thought about after the fact, but I do have clear memories of loving Hit the Road Jack as early as when it came out.
With the choices of single I’ve made for the period 1964-1969, what’s remarkable is the speed of development in music at that time. The fact that The Byrds’ Eight Miles High is just three years after the Beatles covering Twist and Shout is remarkable.
The singles chosen for some of the years 1975 right up to 2021 share little except the sheer impact they had at the time, be that sonic or even political. They are thin on the ground in the part of my list in the 21st century, as I just don’t keep up with charts and trends of that type, but 2021’s Seventeen Going Under by Sam Fender is, to my ears, as good a song as any in the period covered.
The impact of Side 1 Track 1
While clearly a reference to vinyl, this equally applies to many CDs I have, where it is the first track that announces something new and special. I love that feeling, which applies to all the tracks I’ve chosen for this section, of playing a new album for the first time, with the anticipation and excitement heightened if it’s a purchase you’ve just brought home, and straightaway every other album feels (for a few days) less exciting and interesting. That new one is the one you just want to keep playing again and again.
With some of my choices (eg The Who, Talking Heads, Kate Bush, Radiohead), these were albums by artists I already loved, but suddenly they went somewhere new and incredibly exciting. With others, the discovery was some time after its original release (Miles Davis, Van Morrison) and with others, and these were perhaps the most exciting of all, it was side 1, track 1 of a brand-new artist. Roxy Music’s Remake/Remodel is the pinnacle of this feeling – who were these people, making this totally new and brilliant music??
The joy of live music
I’ve been lucky enough to see in concert many of the artists I’ve chosen, some of them on multiple occasions. In my presentation I showed a couple of photos of a couple of fantastic live moments that are transcendent in their impact. Seeing Malian band Tinariwen at a small side stage at Glastonbury in 2007, sparking a love of music from Mali that has been strong ever since. The other photo is The War of Drugs performing Under the Pressure at Latitude Festival in 2014, just incredible.
And Covid has starved us of live music! But now it’s back! And, partly as a backlog of tickets for gigs postponed in some cases by as much as two and a half years, and partly the huge wave of bands getting back out there after years away, I’ve got more tickets in the locker than ever before. To celebrate that, I’ve featured tracks by all these artists I’m so looking forward to seeing before the end of 2022: Pavement (I’ve waited 30 years to see them!), Counting Crows, Sigur Ros, Fleet Foxes, Bon Iver, Let’s Eat Grandma, and the most exciting guitar band around right now, Fontaines DC. Bring it on!
The richness of back catalogues
With artists like Kraftwerk, Teenage Fanclub, The Fall or Mogwai, how can you choose just one track? With all these, and others, I admit in most cases to being an avid completist. To quote the title of a new book about The Fall which I’m excited about, “You Must Get Them All”. This of course is a quote from John Peel about his view of The Fall’s huge catalogue.
Either via streaming or via the slew of re-releases, remasters etc that continue to pour out, in part fuelled by the vinyl revival, it’s never been easier to take a deep dive into the extensive catalogue of all the artists I’ve chosen in this category. If you only know one or two albums, or even just a couple of tracks by artists like Beck, Pulp, Nick Drake or PJ Harvey, then go and explore further, it’s so easy to do so!
David Bowie
For me, his body of work could be featured in the singles category, as some of the most incredible Side 1, Track 1s, and of course the richness of his back catalogue is up there with anyone’s… and he was amazing to see live. As my Bowie track I’ve chosen his final great statement, from 2016, Lazarus from Blackstar. What a way to bow out. I was delighted to see that Uncut magazine recently voted Blackstar it’s favourite album of the past 25 years.
The list and the playlist
The Tracks of my Years can be found on this Spotify playlist:
https://open.spotify.com/playlist/0osW70Yzqfv30kIRSSkrgC?si=14b318f8a4bd45e8
Year | Track | Track 1 | Singles | Live | Library |
1957 | Chuck Berry Rock and Roll Music | X | |||
1958 | Eddie Cochrane Summertime Blues | X | |||
1959 | Miles Davis So What | X | |||
1960 | Johnny Kidd and the Pirates Shakin’ all over | X | |||
1961 | Ray Charles Hit the Road Jack | X | |||
1962 | The Tornados Telstar | X | |||
1963 | The Beatles Twist and Shout | X | |||
1964 | The Kinks You Really Got Me | X | |||
1965 | Smokey Robinson Tracks of my Tears | X | |||
1966 | The Byrds Eight Miles High | X | |||
1967 | Pink Floyd See Emily Play | X | |||
1968 | Van Morrison Astral Weeks | X | |||
1969 | Fleetwood Mac Green Manalishi | X | |||
1970 | Nick Drake River Man | X | |||
1971 | The Who Baba O'Reilly | X | |||
1972 | Roxy Music Remake/Remodel | X | |||
1973 | Sensational Alex Harvey Band Faith Healer | X | |||
1974 | King Crimson Great Deceiver | X | |||
1975 | Modern Lovers Roadrunner | X | |||
1976 | Stevie Wonder Love's in need of love today | X | |||
1977 | Sex Pistols God Save the Queen | X | |||
1978 | Kraftwerk Neon Lights | X | |||
1979 | Public Image Albatross | X | |||
1980 | Talking Heads Born Under Punches | X | |||
1981 | Ghost Town The Specials | X | |||
1982 | Robert Wyatt Shipbuilding | X | |||
1983 | The The This is the Day | X | |||
1984 | Frankie Goes to Hollywood Two Tribes | X | |||
1985 | Kate Bush Running Up That Hill | X | |||
1986 | Paul Simon Graceland | X | |||
1987 | The Smiths Stop Me if You Think… | X | |||
1988 | Sonic Youth The Sprawl | X | |||
1989 | Tears for Fears Woman in Chains | X | |||
1990 | Depeche Mode Policy of Truth | X | |||
1991 | REM Me in Honey | X | |||
1992 | Pavement Here | X | |||
1993 | Stereolab Crest | X | |||
1994 | Portishead Glory Box | X | |||
1995 | Teenage Fanclub Verisimilitude | X | |||
1996 | Underworld Born Slippy | X | |||
1997 | Bjork Bachelorette | X | |||
1998 | The Beta Band She's the One | X | |||
1999 | Counting Crows Mrs Potters Lullaby | X | |||
2000 | Radiohead Everything in its Right Place | X | |||
2001 | Pulp Wickerman | X | |||
2002 | Gomez Rex Kramer | X | |||
2003 | My Morning Jacket Mahgeetah | X | |||
2004 | Arcade Fire Neighbourhood #1 (Tunnels) | X | |||
2005 | Beck Scarecrow | X | |||
2006 | Tinariwen Cler Achel | X | |||
2007 | Sigur Ros Hafsol | X | |||
2008 | Fleet Foxes Blue Ridge Mountains | X | |||
2009 | Bon Iver Blood Bank | X | |||
2010 | The Fall Mexico Wax Solvent | X | |||
2011 | PJ Harvey Let England Shake | X | |||
2012 | The Unthanks Big Steamers | X | |||
2013 | Yo La Tengo Ohm | X | |||
2014 | The War on Drugs Under the Pressure | X | |||
2015 | Low What Part of Me | X | |||
2016 | David Bowie Lazarus | X | |||
2017 | Mogwai Crossing the Road Material | X | |||
2018 | Let's Eat Grandma Donnie Darko | X | |||
2019 | Lankum The Wild Rover | X | |||
2020 | Fontaines DC A Hero's Death | X | |||
2021 | Sam Fender Seventeen Going Under | X | |||
2022 | Band of Horses Crutch | X |